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Irina Ionesco was opening her first personal photography exhibition at the Nikon gallery in Paris in Two daughter and mother typologies are underlined through the relationships within the generational triangle. She takes part in exhibitions organised in Paris, London, New York, quickly becoming a very famous photographer. When she realised that she had only been interacting with the artist, the maternal sense being replaced by the power-based artist-model relationship, Eva tried to retreat. Thus the girl, Eva appears as a woman-child in the same sombre atmosphere, adorned with dozens of jewellery, cheap bijouterie , artefacts that speak of this particular world where delirium, death, sensuality and passion walk hand in hand. Eva Ionesco, aged 11, landed on the cover of Playboy Italy magazine , being deliberately associated with a symbol of consumerist beauty. Epilogue There is a lot more to be said, reflected upon and debated about Ionesco's work - that is still growing. The photographs show Eva Ionesco as being radiant, dominant and totally surrendering to a perfectly controlled theatricality in front of the objective. It could almost be a myth But Eva was and is real. Her uneven trajectory reflects, with a careful look, what's incomprehensible in a woman's soul. Despite the theories on the existence of an early infantile sexuality, exploiting and exposing a child in pornographic poses remain problematic on the moral level of photographic construction. Victor Burgin raises the issue of the intertextuality belonging to the photographic message in the essay entitled Looking at photographs , translated in the Idea magazine in

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Description: The public, as was already expected, accused her of an obvious lack of morality. Eva and Irina Ionesco. The limelight, the vernissages and success become a traumatic experience which the teenager acutely feels and tries to escape for good. Thus the girl, Eva appears as a woman-child in the same sombre atmosphere, adorned with dozens of jewellery, cheap bijouterie , artefacts that speak of this particular world where delirium, death, sensuality and passion walk hand in hand. Treating the photograph as an object-text, classic semiotics showed that the notion of the purely visual image is nothing but an Edenic fiction. None of this, logically, would stop Eloge de ma fille from entering the history of photography and eroticism. The existence of inequalities between sexes is often strengthened through public positions taken by women. She takes part in exhibitions organised in Paris, London, New York, quickly becoming a very famous photographer. One or two articles is certainly not enough, aside from my limited knowledge of such mystical works. Even before her first exhibit, in , the French photographer Irinia Ionesco had already got the attention of a particular group of artists. but her paradoxal success and acclaim would come with her biggest scandal. the exhibit Eloge de Ma Fille would enter the Nikon gallery in Paris and it was that same fetishist look, now turned towards her, Eva Ionesco The value of art is almost unanimously accepted as being subordinated to aesthetics, the discussions about its political function and power-based relationships encouraged by artistic practices are frequently understood as acts of censorship. Thus, a legal precedent was created, through which art is discussed according to human rights.
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